![]() Factory PresetsĭualVerb combines two different high quality studio reverbs (A and B) in parallel, with independent controls for decay, size, pre-delay, and tone. But be careful, extreme settings will increase the chances of overloads. When the filters are set to 0, this does nothing, but when they are active, it can create a much more filtered sound. Resonance: Controls the resonance of the Low-level and High-level filters. Turning further clockwise to Freeze sets the reverberation time to infinite, and does not allow incoming signal into the reverberation structure. Turning clockwise to Infinite will allow for infinite reverberation time, while still letting incoming signal into the reverberation structure. įeedback: Controls the feedback around the entire reverberation structure, for even larger sounds.Mod Rate: Sets the relative speed of the modulation in the reverb tail. This parameter is frozen while Feedback is set to Infinite or Freeze. This can be a subtle control, which nevertheless can reduce ringing in the reverb tail and add some motion to the sound. Mod Depth: Sets the modulation depth in the reverb tail. High Level: Controls the level of high frequencies in the reverb tail using a shelving filter with a corner frequency of 2000 Hz. Low Level: Controls the level of low frequencies in the reverb tail using a shelving filter with a corner frequency of 350 Hz. When Tempo Sync is on, this is set in subdivisions of the tempo. When Tempo Sync is off, this ranges from 0 ms to 2000 ms. Pre Delay: Sets the amount of delay before the reverb section. ![]() This can range from cartoonishly small to cosmically epic. On the left hand side, the Gravity control is in its inverse mode and sweeps through a range of reverse reverb-like settings. On the right-hand side, the Gravity control sweeps through its forward reverb range from a very dense decay to a very long and smooth decay. Gravity: The Blackhole’s equivalent of decay time. Mix: Determines the relative level of the wet and dry signals. Enjoy, and don’t be afraid to turn the knobs. Its soft attack and lingering, harmonic tail cause it to really shine on guitars, strings, and pads, but those same qualities also allow it to transform a drum track into something other- worldly. Beginning life as a preset in the DSP4000, then later in the H8000, its lush sound and popularity encouraged us to feature it as one of the premier Algorithms in Eventide’s Space guitar pedal. Blackhole is a reverb Algorithm on a truly galactic scale.
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